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After 38 attacks on art, climate protesters have fallen into big oil's trap - it's time to change tack | Giovanni Aloi - Vimarsana News

After 38 attacks on art, climate protesters have fallen into big oil's trap - it's time to change tack | Giovanni Aloi

After 38 attacks on art, climate protesters have fallen into big oil's trap - it's time to change tack | Giovanni Aloi

Source: enviweb.cz
After 38 attacks on art, climate protesters have fallen into big oil's trap – it's time to change tack | Art and design - Vimarsana News

After 38 attacks on art, climate protesters have fallen into big oil's trap – it's time to change tack | Art and design

Repetition has blunted the art museum protests so much that the pumpkin soup assault on the Mona Lisa felt pathetic. More effective tactics are needed

This Isn't Who It Would Be, If It Wasn't Who It Is – The Brooklyn Rail - Vimarsana News

This Isn't Who It Would Be, If It Wasn't Who It Is – The Brooklyn Rail

The title curator Alex Glauber bestowed on this terrific show is a line from a 1994 Phish song, “Wolfman’s Brother”: The telephone was ringing That’s when I handed it to Liz She said, “This isn’t who it would be If it wasn’t who it is”

Ai Weiwei says art that can be replicated by AI is 'meaningless' – philosopher explains what that means for the future of art - Vimarsana News

Ai Weiwei says art that can be replicated by AI is 'meaningless' – philosopher explains what that means for the future of art

EconoTimes is a fast growing non-partisan source of news and intelligence on global economy and financial markets, providing timely, relevant, and critical insights for market professionals and those who want to make informed investment decisions.

Ai Weiwei says art that can be replicated by AI is 'meaningless' – philosopher explains what that means for the future of art - Vimarsana News

Ai Weiwei says art that can be replicated by AI is 'meaningless' – philosopher explains what that means for the future of art

Philosophers of art have, at times, entertained quite seriously the claim that art can come to an end.