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Here is that part of the image itself in some ways is without inherent meaning, some ways the photograph itself needs to be coded through captions, through the sort of articles next to it, through many other ideas like the readers own political persuasion. The image becomes largely meaningless until it becomes coded by the surrounding areas. In some ways, the image without a code needs a code, the context for understanding its meaning. So talks about the paradox of photography and particularly of press photography. The ways that constructed intentional meaning, the things that have opinions or...

Color photographs from the 1930s and 1940s. They started as an experiment with color film. Kodak was just putting its color film on the market. Sent it out to photographers at institutions to give it a try, to see if they could create a market for it. The pictures were free. So they were appealing to newspapers, magazines, publishing agencies, book publishers. That kind of thing. I was familiar already with the black and white photographs. There are about 171,000 Farm Security administration and office of war information blackandwhite photographs. And i had been working with those for a few ye...

The library has a collection of color photographs from the 1930s and 1940s. They started as an experiment with color film. Kodak was just putting its color film on the market. Sent it out to photographers at institutions to give it a try, to see if they could create a market for it. The pictures were free. So they were appealing to newspapers, magazines, publishing agencies, book publishers. That kind of thing. I was familiar already with the black and white photographs. There are about 171,000 Farm Security administration and office of war information blackandwhite photographs. And i had been...

American artifacts, Beverly Brannan tells the stories about the collection and photographers. Beverly we are in the center vault of the prints and photographs division of the library of congress. The library has a collection of color photographs from the 1930s and 1940s. They started as an experiment with color film. Kodak was just putting its color film in the market. Sent it out to photographers at institutions to give it a try, to see if they could create a market for it. The pictures were free. So they were appealing to newspapers, magazines, publishing agencies, book publishers. I was fam...

Chrome film. The library of congress curator tells a story about this collection and the photographers. But we are in the center vault of the prints and photographs division of the library of congress. The library has a collection of color photographs from the 1930s and 40s. It started as an experiment with color film. Kodak was just putting its color film on the market and sent it out to photographers and institutions to give it a try to see if they could create a market for it. The pictures were free so they were appealing to the newspapers magazines and publishing agencies, book brochures o...