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Lougher Contemporary has garnered a premier reputation for prioritizing client experience and being a top source for secondary market artwork.
Discovering the provenance of Leonardo da Vinci’s Salvator Mundi formed a significant part of the book that I co-authored with Margaret Dalivalle and Martin Kemp. Determining which records and references pertained to the original and which to the many copies and derivations of the painting required the unraveling of dozens of documentary threads, intertwined and occasionally knotted, stretching across the centuries.