Virtual Readings Take Center Stage as a New Genre of Theater
For the first 50 minutes of “Gloria,” my stomach was in knots. Again. I had already seen the play, by Branden Jacobs-Jenkins, at its Vineyard Theater premiere in 2015. Despite its amusing opening dialogue — the sour-witty banter of editorial assistants at an upscale magazine — I was convinced by subtle quirks in its tone and pacing that something bad was going to happen. When it did, at the end of Act I, the staging was so vicious and efficient, involving lights, sound, movement and all the powers of modern production, that I nearly blacked out. Surely a second encounter with “Glori...