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WRITING IN 1973 for Art International, Douglas Crimp reviewed Blythe Bohnen at New York’s A.I.R. (Artists in Residence Inc.) Gallery, the landmark women’s cooperative that opened in 1972, of which the artist was a founding member. That same year, she completed her MFA at Hunter College and was included in the “Annual Exhibition: Contemporary American Painting” at the Whitney Museum of American Art. “Brushstroke,” the near-taxonomic series that Bohnen had started in 1968—and which included 48 Brushstrokes, 1971, a matrix of gesture, instantiated and recalled, that was reproduced o...

One gauge of our decline is the vanishing of public intellectuals and a swelling number of wired celebrities, influencers, and pitchmen.

“This is slavery, not to speak one’s thoughts.” – Euripides, The Phoenician Women

Bringing Taiwan to the World and the World to Taiwan

Because there is so much personal anguish, unhappiness, and human mental and physical suffering in the world, many people often wonder how they might