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Researching Australian history led journalist Paul Daley to accounts of a shameful trade by 19th and 20th century collectors that is still playing out to this day.
As a non-fiction author dedicated to the ongoing trauma of violent colonialism, I was ineluctably drawn to confronting the same in fiction, <strong>Paul Daley</strong> writes
How can fiction contribute to the “truth” that the Uluru Statement asks us to tell? Allen and Unwin’s answer to that question is, in part
Tim Rowse concludes that Paul Daley’s new novel, inspired by true events in Arnhem Land, is fluent and skilfully paced – but doesn’t risk complicating the critical narrative of our colonial history.
The folk singer has long been preoccupied with the (white) blind spots of Australian history