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The 'first Who' (= the first band Pete Townshend, Roger Daltrey & John Entwistle were members of) were The Detours back in the early 1960s. When Joh...

Local Scene is a weekly feature highlighting musical happenings in the Region.

With the Oscars done, we focus on smaller films. In this mostly electropop episode, we profile Electric Youth & Pilotpriest's score to the 2020 Canadian scifi horror Come True. 1. The Conet Project: 555 Konec (The Conet Project: Recordings of Shortwave Numbers Stations, 1997) Irdial 2. Electric Youth: Modern Fears [Pilotpriest Come True version] (Come True OST, 2021) Milan 3. Pilotpriest: Forgiven (Come True OST, 2021) Milan 4. Digital Underground: Same Song (This is an EP Release, 1991) Tommy Boy FIVE. Aaliyah & DMX: Come Back in One Piece (Romeo Must Die OST, 2000) Blackgrou...

New Music Reviews (5/3) KEXP Each week, Music Director Don Yates shares brief insights on new and upcoming releases for KEXP's rotation. These reviews help our DJs decide on what they want to play. See what we added this week below (and on our Charts page), including new releases from Dawn Richard, Dawn Richard – Second Line (Merge) This New Orleans singer/songwriter/musician/producer’s sixth solo album is an adventurous blend of R&B, house, footwork, New Orleans bounce and more, combining moody synths and propulsive rhythms with her elastic vocals and lyrics of love, lust...

Open share drawer The DFA stalwart delivers a set of psychedelic, late-night club cuts that invoke the dancefloor at its most immersive. Had the notion of acid house not been comprehensively explored at the tail end of the 1980s, we might have minted the term to describe the Juan Maclean’s I Can’t Explain, which is inspired by mind-expanding drugs and old-school house music. John Maclean—operating solo here, rather than in the company of Nancy Whang—says that he created the EP’s tracks “after weekends of head down dancing in dark clubs,” fine-tuning them acr...