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Out in an arid, underpopulated northeastern Brazil, an unusual but not entirely inconceivable love story plays out, presented as a kind of morality lesson or at least a cautionary tale.
Robert Smithson, the pioneering land artist, repeatedly said that his art was a clear distillation of his essential self, and should be free of any bi
Having followed Edmund de Waal’s work as both a writer and an artist ever since the publication of his memoir The Hare with Amber Eyes: A Hidden Inheritance (2010), and Atemwendeb, his first exhibition at Gagosian Gallery in 2013, I’ve come to realize how Edmund has managed to maintain a remarkable balance between on one hand the making, and on the other hand the writing.
Walter De Maria (1935–2013) almost never gave interviews. In a rare one from 1972, he mentioned that he had conceived twenty-four three-dimensional