JJ 09/73: Back Door - Back Door - Jazz Journal
Fifty years ago, Charles Le Vay marvelled at how the innovative jazz-rock trio alluded to influences yet was unique, not least instrumentally
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Fifty years ago, Charles Le Vay marvelled at how the innovative jazz-rock trio alluded to influences yet was unique, not least instrumentally
Kudos to Jackson for this year’s lineup. I thought it was great before going in, and think it was even greater after the fact.
One of the bass guitar’s all-time greats on how Béla Fleck got him into Paul McCartney, the time Stanley Clarke sent him a broken bass string, and why Marcus Miller is “so good, he can play on somethi
Kon Tiki: 60th Anniversary SEPT. 24 - An amalgamated fantasy of exotic island life from Polynesia to the Caribbean, tiki culture took the United States...
Today's scrappy record labels understand that an intimate brand connection captures consumers. Every major label has its own boutique imprints, from Columbia's Legacy to Blue Note's Tone Poet and Classic Vinyl. Craft Recordings, the catalog label for Concord, is set up well for achieving such a connection, since the parent company also owns Fania, Prestige, Milestone, Pablo, Telarc, Vanguard, Concord Jazz, and Riverside (not to mention Stax, Rounder, and Sugar Hill). For vinyl reissues, that's the jazz motherlode.