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A traveling exhibit in Watertown asks what Americans knew about genocide in Europe, and what they did in response. We talk with a curator from the Holocaust Memorial Museum.We continue our Meet the Candidates series. Sheryl Johnson is with us.
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THE WHITE-SUITED BLACK SUBJECTS are rendered with varying degrees of realism: There is the chalky brown man at left, who possesses all the charm of a department store mannequin; the androgynous youth at right, with unfurled scarf and ghostly tinted glasses; and, of course, the woman at the center of the work, whose adjacent nude double seems to both teasingly recede into and forcefully protrude beyond the group. Barkley L. Hendricks executed this large-scale canvas, What’s Going On, in 1974, and it is perhaps the most striking of what the artist calls his “limited palette” works, with it...
a href= https://reynolda.org/ target= _blank Reynolda House Museum of American Art /a announced the opening of its latest world-class exhibition,
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