Clark Art Gallery Talk With Emerging Art Historians
WILLIAMSTOWN, Mass. — On Friday, March 10, a Williams College art history graduate student will lead a conversation on the Clark's permanent collection. In this...
Stay updated with breaking news from Clark Graduate Program. Get real-time updates on events, politics, business, and more. Visit us for reliable news and exclusive interviews.
WILLIAMSTOWN, Mass. — On Friday, March 10, a Williams College art history graduate student will lead a conversation on the Clark's permanent collection. In this...
WILLIAMSTOWN, Mass. — On Friday, Feb. 10, Williams College art history graduate students will guide a conversation on the Clark's permanent collection. In a new program,...
Esther Bell, who currently serves as the Robert and Martha Berman Lipp Chief Curator of the a href= http://www.clarkart.edu target= _blank Clark Ar
WILLIAMSTOWN, Mass. –– Esther Bell, who currently serves as the Robert and Martha Berman Lipp Chief Curator of the Clark Art Institute, has been promoted to Deputy Director. Bell...
WILLIAMSTOWN â Of the Barbizon school of painters who experimented with cliché-verre printmaking in the mid-19th century, Jean-Baptiste-Camille Corot was one the most prolific, creating 65 prints over two decades. His introduction to the novel technique came at a pivotal time in his career, when the French artist, known for landscapes richly populated with mythological and Biblical figures, was transitioning away from the stylistic constraints of Neoclassicism. The technique, a variation devised in the 1850s by amateur photographer Adalbert Cuvelier and drawing instructor Jean-Gabriel...