'Arsenic and Old Lace' Drags America's History from the Basement
Frank Capra's America is always on the edge of madness and nightmare. The deeper you dig into his 'Arsenic and Old Lace', the darker and queasier it becomes.
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Frank Capra's America is always on the edge of madness and nightmare. The deeper you dig into his 'Arsenic and Old Lace', the darker and queasier it becomes.
Florida has solid, specific recommendations on cleaning up coastal water pollution. What's missing is action.
The mask that covers the facial deformities on Erik, the Phantom of the Opera, have ranged from Lon Chaney's 1925 total-face covering (including a strange fabric flap over his mouth) to Claude Rains' 1943 blue-white covering over three-quarters of his face and Andrew Lloyd Weber's version, in which Erik wore a white half mask.
If you are planning to watch a movie this Christmas Day, we've got you covered. Film guru Ronan O'Meara has been scouring the TV schedules and h...
10. A Lion Returns There’s lots of talking in writer/director Serhat Caradee’s Sydney-set family drama, with almost the entire first act consisting of a single dialogue scene in the back of a car. Jamal (Tyler De Nawi) is the black sheep of his family, to say the least, secretly returning home to Sydney’s western suburbs to visit his dying mother after joining Islamic State in Syria. The radicalised Jamal engages in long and tense debates with his kith and kin, during skilfully constructed dialogue exchanges that toss around big discussions about motivations people have for joining gro...