Five things we learned from our In Conversation video chat with James Acaster's Temps
The stand-up comedian on his new Gorillaz-esque album, the origins of 'Party Gator' and wasting Louis Theroux's money
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The stand-up comedian on his new Gorillaz-esque album, the origins of 'Party Gator' and wasting Louis Theroux's money
With the return of their unashamedly nice TV gameshow Hypothetical, the duo are out to prove you don’t need to be mean-spirited to get laughs
Ali Wong. Photograph: Alex Crick/Netflix Baby Cobra gives the lie to the claim that comedians are no longer edgy or that standup as social commentary is being watered down by wet-flannel millennials. Wong knows her material on race and sex will make people uncomfortable; she revels in it. And it works because sheâs never punching down. An Asian-American woman, she is highly literate in social dynamics and the dark humour they give rise to. Rude, whip-smart standup for those who donât want their comedy cosy. Freddy McConnell, writer Chris Rock: live at NYCâs the Comic Strip
Last modified on Mon 21 Dec 2020 15.02 EST In the drear of a socially isolated Christmas, it was something to celebrate: a live stream of James Acaster’s career-best show, Cold Lasagne Hate Myself 1999. Premiering straight on to the West End two years ago, this for-the-ages set took an already top-notch comedian to a new level entirely. But it was a blink-and-you-miss-it show, presented in a trio of brief West End runs, and never screened until a stream on Dice at the end of last week. It was a welcome chance to reacquaint oneself with what makes Cold Lasagne – and Acaster himself – so ...