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Having been unexpectedly delighted by the Royal Ballet’s revival of Christopher Wheeldon’s Corybantic Games at Covent Garden last week, I slapped my wrists for underrating him as a prolific craftsman. After a second exposure to his Cinderella, handsomely mounted by English National Ballet at the Royal Albert Hall, I have reverted to that ho-hum view.
Wayne McGregor’s incisive new ballet conjures the very brushstrokes of the late Carmen Herrera; Bernstein meets Les Sylphides in a muscular Christopher Wheeldon revival; ; and Laura Morera bows out in style
There's grist and glory in this triple bill, and a career-high for Wayne McGregor. Dance review by Jenny Gilbert
My witty friend whispered that Wayne McGregor’s new ballet Untitled, 2023 put her in mind of Google HQ – it’s certainly a mint-cool, squeaky-clean, future-perfect affair. The set by Carmen Herrera, subtly lit by Lucy Carter, suggests infinite space and distant horizons. The costumes by Burberry are streamlined and sexless. Anna Thorvaldsdottir’s vaporous score hovers
Perhaps it’s already clear, but this is a rather subdued triple bill to bring the 22/23 season to a close. Earnest in tone and at times devastating in appeal.