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Satyajit Ray in 2023: No heroes or villains, only different shades of grey

His films are about the human condition and the ‘dailiness’ or undramatic aspects of life with no simple winners or losers. ....

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How jewellery plays a role in Mani Ratnam's blockbuster Ponniyin Selvan I and other movies

Ornaments have played their part in advancing the plot of numerous films. Mani Ratnam’s period drama is only the latest such example. ....

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'Subtle nuances of human relationships': Why Satyajit Ray adapted Postmaster and Samapti

The filmmaker based ‘Teen Kanya’ on stories by Rabindranath Tagore; the international version was released as ‘Two Daughters’ without ‘Monihara’. ....

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How Aparna Sen balanced her deep respect for Satyajit Ray with a critique of his choices

How Aparna Sen balanced her deep respect for Satyajit Ray with a critique of his choices
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West Bengal , Satyajit Ray , Apur Sansar , Bhaskar Chattopadhyay , Sandip Ray Phatik Chand , Soumitra Chatterjee , Phatik Chand , Jana Aranya , Chidananda Dasgupta , Bansi Chandragupta , Rabindranath Tagore , Aparna Sen , Madhabi Mukherjee , Kamu Mukherjee , Monku Mashi , Calcutta Film Society , Teen Kanya , Aranyer Din Ratri , Bansi Kaka , Manik Kaka , Courtesy Satyajit Ray , Sandip Ray ,

Satyajit Ray at 100: Revisiting the classic Jalsaghar, starring the brilliant Chhabi Biswas

Chhabi Biswas in Jalsaghar (1958)
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Satyajit Ray Productions
Astonishingly, folded in between the films that comprise the celebrated Apu Trilogy
, are two movies inspired by Bengali literature and Satyajit Ray’s association with two outstanding Bengali character actors: Tulsi Chakraborty in
Parash Pathar and Chhabi Biswas in
Jalsaghar. The first is perhaps minor (in spite of Chakraborty’s phenomenal performance) and is now mostly forgotten. However the latter is among the three or four greatest films in Ray’s oeuvre,
and Chhabi Biswas’s performance is unsurpassed in his own illustrious career.
Elegiac in tone,
Jalsaghar (The Music Room) is, to quote John Russell Taylor, “an atmospheric piece”. It occasionally reminds one of Orson Welles’s ....

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