Wide Lenses Were Created Especially to Film Close-Ups in 'Oppenheimer'
Christopher Nolan's love affair with IMAX cameras is no secret and the director's enthusiasm for them caused new lenses to be created.
Source: petapixel.com
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'Ferrari' Cinematographer Erik Messerschmidt on Capturing Races
Capturing the speed and danger of racers flying down Italian roads was only half the challenge for cinematographer Erik Messerschmidt on ‘Ferrari.’
Source: variety.com
'Killers of the Flower Moon' Cinematography Used Newly Invented Lenses – IndieWire
Cinematographer Rodrigo Prieto and Panavision's Dan Sasaki on how new photographic technology replicated the old on "Killers of the Flower Moon"
Source: indiewire.com
Exploring 'Oppenheimer' at the Subatomic Level | Animation World Network
Production VFX supervisor Andrew Jackson gets quite ‘particular’ discussing the visual effects in Christopher Nolan’s hit biopic about J. Robert Oppenheimer, his life and work leading The Manhattan Project’s development of the world’s first nuclear bomb.
Source: awn.com
'Oppenheimer' Recreated an Atomic Blast With Just VFX – IndieWire
No CGI for Christopher Nolan, so the DNEG VFX team went old-school by experimenting with practical simulations in tanks shot on 65mm IMAX cameras.
Source: indiewire.com