A Doll's House | Jamie Hood
Rachel Ingalls’s fiction stages encounters between unhappy housewives and the uncanny.
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Rachel Ingalls’s fiction stages encounters between unhappy housewives and the uncanny.
Since we’ve recently been reminiscing about the much-missed Film Fest in Traverse City, I’ve been thinking about old films that might be fun to see again.
Fundamentalism can creep its way into any space. I’m using the word fundamentalism here to say: non-negotiably following any subject’s basic rules. At first, these rules seem a nice set of concepts to cling onto. They set boundaries. “I stand for THIS! Not THAT,” fundamentalism proudly and boldly proclaims. It is illuminating to learn something’s rules, at first. They help guide us in the right direction. But, at some point, the “rules” might just start holding us back. At some point, the world may ask us, need us, to use our own brains, our own discretion. As Thomas Moore teach...
The official site of Nonesuch Records
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