Wrong Turn review: The slasher remake takes some strange turns
Even for a slasher movie, 2003’s Wrong Turn is elemental in its efficiency. Minimal effort is expelled in setting up the stalk-and-kill plot, and the characters are uniformly one-dimensional. Despite—or perhaps because of—this simplicity, one subtextual element stands out: Much like the Sawyers in Wrong Turn’s clan of inbred cannibal mutants (or is it inbred mutant cannibals?) can almost be seen as simple farm folk defending their land. Toward the beginning of the film, a gaggle of obnoxiously citified young people break into a secluded mountain homestead under the pretense of find...