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In 1947, when the 24-year-old Saul Leiter first saw Henri Cartier-Bresson’s prints at the Museum of Modern Art in New York, photographers were content to be regarded as photographers. Today’s aspirational ideal is “artist” or “artist using a camera”. But if Leiter is a consummate artist that is because his talents were uniquely served by – and entirely dependent on – the camera in his hand.

The late American photographer, who quietly captured small, luminous details of life on the streets of New York, is celebrated in the biggest UK show of his work

At Paris Déco Off, a few fabric trends stood out to us, whether it’s the color you’re about to see everywhere or a new take on a timeless print.

Aesthetica reviews Thames & Hudson's book 'The Centennial Retrospective' of Saul Leiter, bringing together 60 years' work of the street photographer.

The work is about “the beauty and scariness of life, the difficulty of being alive, the fragility of staying alive and keeping your sanity,” says Jo An Callis as her photo series Early Colour goes on show in Paris