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Oscar winner Adam Stockhausen explains the visual details of frequent collaborator Wes Anderson’s metatextual comedy, which leaned into the film’s film stage setting to present a vibrant vision of the region.
In Asteroid City, the latest film from Wes Anderson, directorial control competes with the free play that gives life to cinema.
Asteroid City hit Walter Chaw at exactly the right place in his life, a year after his mom died on Mother's Day, following a long and terrible illness.
In his latest film, Anderson asks us how art and storytelling give our lives meaning.
The film’s greatest asset is not the status of its cast, but the restraint with which they’re used.