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Oscar winner Adam Stockhausen explains the visual details of frequent collaborator Wes Anderson’s metatextual comedy, which leaned into the film’s film stage setting to present a vibrant vision of the region.
In Asteroid City, the latest film from Wes Anderson, directorial control competes with the free play that gives life to cinema.
To explain Wes Anderson’s “Asteroid City,” an ambitious yet mystifyingly dysfunctional meta-movie, in terms of both form and content, it may be helpful to walk a prospective viewer backward, outward
In his latest film, Anderson asks us how art and storytelling give our lives meaning.
Wes Anderson, known for his self-conscious, tableaux-laden tales of arch strangeness, has come home to America after sojourning the world. What he has discovered here is a country many miss.