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What Is H.264?


What Is H.264?
This is an installment in our ongoing series of What Is.? articles, designed to offer definitions, history, and context around significant terms and issues in the online video industry.
Executive Summary
H.264 is the most widely used codec on the planet, with significant penetration in optical disc, broadcast, and streaming video markets. However, many uses of H.264 are subject to royalties, something that should be considered prior to its adaption. Other factors to consider include comparative quality against other available technologies, like Google’s WebM, as well as the general availability of decoding capabilities on target platforms and devices. This article discusses H.264 and competitive technologies from these perspectives. ....

Google Web , Jason Garrett Glaser , Free Television , International Telecommunications Union , Moscow State University , International Organization , Advanced Video Coding , Advanced Audio Coding , Apple Compressor , Quicktime Pro , Sorenson Media , High Profiles , Main Profile , High Profile , Flash Player , Adobe Media , Media Encoder , Broadcast Markets , Windows Phone , Blackberry Smartphones , Microsoft Internet Explorer , Google Chrome , Internet Explorer , Streaming Media , Suppliers Mentioned , Encoding Transcoding ,

What Is Encoding and Transcoding?


This article is part of Streaming Media s What Is series.
Executive Summary
Streaming media production starts with the infinite real world as captured by the lenses of our camcorders, and ends with the tightly compressed files necessary for streaming delivery. Along the way, the video is digitized, encoded, re-encoded, and frequently transcoded, with possible stops along the way for transrating,  transsizing, and transmuxing.
These are terms we use every day, but few, if any, have precise definitions. Until now. Read on for our attempt to bring clarity to the lexicon of streaming media workflows and processes as we follow the life of a video from capture to consumption (on multiple platforms, of course). ....

Akamai Hd Network , What Is Encoding , Streaming Media , Adobe Premiere Pro , Premiere Pro , Windows Explorer , File Manager , Final Cut , Final Cut Pro , With Premiere Pro , Adobe Media , Sorenson Squeeze , Wowza Media Server , Media Server , Flash Media , Encoding Transcoding , ஸ்ட்ரீமிங் மீடியா , ப்ரிமிர் ப்ரொ , ஜன்னல்கள் ஆய்வுப்பணி , கோப்பு மேலாளர் , இறுதி வெட்டு , இறுதி வெட்டு ப்ரொ , சோரன்சன் கசக்கி , மீடியா சேவையகம் , ஃபிளாஷ் மீடியா ,

Bitmovin Raises $25 Million in Series C Financing


Bitmovin Raises $25 Million in Series C Financing
Bitmovin, a leading provider of video infrastructure for global digital media companies, today announced it has raised $25 million in Series C financing. The company will leverage this investment to drive the continued expansion of its product innovation and technology leadership in the streaming space. Bitmovin s Series C round was led by Swisscom Ventures with participation from Climb Ventures, and existing investors: Atomico, Highland Europe and Constantia New Business. The announcement brings Bitmovin’s total funding to $68 million. 
The online video streaming market has grown exponentially at least 10x since we started Bitmovin in 2013, said Stefan Lederer, CEO and founder at Bitmovin. More consumers than ever prefer to watch content on any device and at any time rather than in linear programming. This trend is further fueled by advances in connectivity and consumer electronics, along with inn ....

New York , United States , Fergal Mullen , Stefan Lederer , Stefan Kuentz , National Academy Of Television Arts , New York Times , Technology Engineering Emmy , Bitmovin Raises , Swisscom Ventures , Climb Ventures , Highland Europe , Constantia New , Game Consoles , Investment Partner , Red Bull Media House , Engineering Emmy , National Academy , Television Arts , Encoding Transcoding , Formats Codecs Protocols , Online Video Industry , Video Quality , Cloud Video , புதியது யார்க் , ஒன்றுபட்டது மாநிலங்களில் ,

New Rules of Codec Development


New Rules of Codec Development
It took about 10 years to launch both H.264 and HEVC, so MPEG s much more ambitious launch of VVC, EVC, and LCEVC in 2020 and 2021 makes you wonder about its chances for success. Not only does it have to effectively differentiate each codec against the other, it also has to create compelling business cases against the Alliance for Open Media s (AOMedia) AV1 and existing MPEG codecs like HEVC and even H.264, which is still going strong. Recent developments have resulted in what I am calling the new rules of codec deployment, and they will complicate the success of any standards-based codecs.  ....

David Ronca , First Draft International Standard , Alliance For Open Media Aomedia , Codec Development , Media Coding Industry Forum , New Rules , Open Media , Though Google , Encoding Transcoding , Online Video Industry , Formats Codecs Protocols , முதல் வரைவு சர்வதேச தரநிலை , மீடியா குறியீட்டு முறை தொழில் மன்றம் , புதியது விதிகள் , திறந்த மீடியா , என்றாலும் கூகிள் , நிகழ்நிலை காணொளி தொழில் ,