An interview with Gillian Wearing | Apollo Magazine
In 2014 Gillian Wearing made a photographic work titled Me as an Artist in 1984. As so often, she appears in it herself, in a bespoke and somewhat unnerving mask: on this occasion, as the title suggests, replicating her own smooth features in early adulthood, her more experienced eyes looking out, her hair teased up in a period style. Beside her, meanwhile, is a painting, an anachronistic study in biomorphic Surrealism featuring a pair of distended figures, one with huge red lips, floating in space. Until recently this was the only clue – or, if you like, confession – in Wearing’s oeu...