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This Art Exhibit Sends You To Spain On American Soil


This Art Exhibit Sends You To Spain On American Soil
February 19, 2021
It seems somehow fitting, both as this publication’s resident art critic and as a half-Spaniard, that the first exhibition I’ve been able to visit and write about since COVID-19 lockdowns explores the phenomenon of Americans traveling to Spain: something I’ve been prevented from doing for nearly a year now.
Whether you’re primarily interested in simply looking at beautiful works of art, or if you care to wade into the somewhat unexplored waters of Spain’s influence on American art of the 19th and early 20th centuries, “Americans in Spain: Painting and Travel, 1820-1920,” which opened at the Chrysler Museum of Art in Norfolk this past weekend, and will later head to the Milwaukee Art Museum this summer, is a terrific show. The exhibition proved to be an all-too-brief reunion with something that has been denied to me for lo these many months of lockdowns and travel bans, and which I very ....

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"An Unsuspected Man of Genius" - The Magazine Antiques


Fig. 1.
The Whistling Boy by Frank Duveneck (1848–1919), 1872. Initialed and
dated “FD [in monogram]. Munich. 1872” in monogram at lower left. Oil on canvas, 27 7/8 by 21 1/8 inches.
Cincinnati Art Museum, Ohio, gift of the artist; all photographs courtesy of the Cincinnati Art Museum.
Although it would be foolish to suggest that the influential and wildly productive Jean-Léon Gérôme is lost to history, it is safe to say that the great academician is perhaps less widely known today than his students Thomas Eakins and Mary Cassatt. And while it would be equally foolish to suggest that Frank Duveneck is but a footnote to his more recognizable students, such as John Henry Twachtman, the Kentucky-born artist is not the name he was in his day. Reviewing a 1972 show at Manhattan’s Chapellier Galleries, critic John Canaday described Duveneck as “a painter who promised to establish a major position in American art but stopped halfway through his career and s ....

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