Review: The Feast
Annes Elwy in Lee Haven Jones’ first feature The Feast, which is shot entirely in Welsh (a rare enough feat to warrant pointing out), is a film which surprises and captivates by way of a troubling yet poetic atmosphere which sucks the viewer into an inescapable vortex of horror. Having been selected for the Midnighters section of the SXSW 2021 (virtual edition), it’s now the turn of the Neuchâtel International Fantastic Festival (NIFFF) to welcome the Welshman’s first, bewitching work into its International Competition, offering up an effective and deliciously destabilising synthesis...