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Albums We Would Marry if We Had the Chance

Albums We Would Marry if We Had the Chance
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Gorillaz: Song Machine Live from Kong review – a genre-straddling success story

Last modified on Tue 23 Feb 2021 07.55 EST Little about 2020 has been straightforward. So there is something perversely logical in the prospect of Gorillaz – a half-real, half-virtual band who released their best music in ages this year – playing a triumphal pre-Christmas gig with various layers of reality cavorting around them. As this live stream begins, up pops not Damon Albarn, the musical half of the core Gorillaz partnership, but Robert Smith from the Cure. Backlit, he sings straight to camera, intoning about “strange times” next to a customised Gorillaz golf buggy. A live band plays in the distance; Murdoc Niccals, a cartoon band member, momentarily skulks into view.

Gorillaz live at Kong: like a AAA pass to the glitziest celebrity shindig

“Is anybody out there? Hello? Can you hear us?” In a cavernous secret warehouse, there’s a party underway that would bring Matt Hancock to actual tears. Surrounded by motorbikes, horse-headed dummies, mysterious monoliths, shelves of bizarre bric-a-brac and amps and curtains scrawled with slogans – “STAY NEGATIVE”, “INNATE RASHES”, “IT’S BETTER TO SLEEP WITH A SOBER CANNIBAL THAN A DRUNK CHRISTIAN” – a motley crew of soul kings, bovver boys, rappers, indie heroes, druids and holograms are caught up in some wild midday revelry. It’s a miracle that, in almost 90 minutes, there’s absolutely no appearance whatsoever from Rita Ora.

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