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Ethan Coen's latest film, "Drive-Away Dolls," goes nowhere, with a trunk-load of cinematic problems and tedium.

Drive-Away Dolls will hopefully be the first in a trilogy of lesbian films from Ethan Coen and Tricia Cooke. Until then, here's the film's ending, explained.

A long delayed take-off on the female-led exploitation films of the 1970s, Ethan Coen's “Drive-Away Dolls” is sadly D.O.A.

Tricia Cooke and Ethan Coen explain how they cast Miley Cyrus as a penis 'connoisseur' in 'Drive-Away Dolls.'

Ethan Coen’s road-trip comedy “Drive-Away Dolls” does not have that cinematic new-car smell. No, the stale scent is closer to months-old, unfinished McDonalds Happy Meals and inexplicably maroon stains. The creaky vehicle has racked up so many miles, it barely starts. So tired and unappetizing, this dreadful film is. The front seats are occupied by Marian (Geraldine Viswanathan) and Jamie (Margaret Qualley), two lesbian best friends who embark on a “drive-away” — being paid to move an automobile from one city to another — for some adventure and personal reinvention.