English National Ballet: Cinderella review – at once grand, tender and intimate
Choreographer Christopher Wheeldon’s intelligence and invention combine to make an effortlessly entrancing piece in which to lose yourself
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Choreographer Christopher Wheeldon’s intelligence and invention combine to make an effortlessly entrancing piece in which to lose yourself
Having been unexpectedly delighted by the Royal Ballet’s revival of Christopher Wheeldon’s Corybantic Games at Covent Garden last week, I slapped my wrists for underrating him as a prolific craftsman. After a second exposure to his Cinderella, handsomely mounted by English National Ballet at the Royal Albert Hall, I have reverted to that ho-hum view.
This whirling ballet in the round touches on the darkness of the Grimm story, but ultimately sparkles
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