see a group of people walking down the street and one of them will be ginger. and that s if you re in scotland or ireland. many redheads have celtic ancestry. a big motivation was just to more people just to see more people like us and have a sense of community as a redhead, because it can feel isolating when you don t see a lot of people like you. and here, it sjust so exciting to see everyone with red hair — no matter the shade of colour — come together and celebrate what has made us _ unique in our own homes in countries. homes and countries. when you re used to being the odd one out... every time i come here, ifeel a bit better about myself. you know that a lot of gingers do get bullied for having red hair, and it s a shame. it s a real shame. he sings. this event is designed to shift that narrative and empower people like liam, who s found lifelong friends and a sense of belonging. everybody has a similar experience.
the netherlands anna holligan has been finding out, they found strength in numbers. there is a chance you ve never encountered a redhead. people with this rare redhead gene make up less than 2% of the global population. obviously, it is a mutation, and just so punchy. you only see it maybe see a group of people walking down the street and one of them will be ginger. and that s if you re in scotland or ireland. many redheads have celtic ancestry. a big motivation wasjust to see more people like us and have a sense of community as a redhead, because it can feel isolating when you don t see a lot of people like you. and here, it sjust so exciting to see everyone with red hair — no matter the shade of colour — come together and celebrate what has made us unique in our own homes and countries.
# only a ginger can call another ginger, ginger...# and he enjoyed it. it probably would ve been a bit edgy for matthew. he wouldn t have necessarily agreed with everything i said, but he thought my songs were very clever and angular in a way that he thought matched dahl. he wasn t sure about whether i was right because it was all very sardonic and sarcastic. but sometimes, for an encore, i d go on and drop all the irony. and that night i went on and played white wine in the sun, which is my christmas song for my daughter. and about your family, about reconnecting? about home, and it makes people sob. # you won t understand # but you will learn some day # # that wherever you are and whatever you face # # these are the people who make you feel safe # in this world # and matthew went, 0h, 0k,
the next choice you ve made for this programme is being commissioned to write the songs for matilda the musical. so you were approached by the director, matthew warchus, to create these songs for the adaptation of the roald dahl book for the royal shakespeare company. why did he ask you? well, this was 2008, and i had... i was now a bit more established as a comedian in the uk and i was touring, and i thinkjeanie 0 hare, who was the literary manager at the rsc, pointed matthew towards me as a singer—songwriter, basically, who had some dexterity with the english language, arguably. and matthew came and saw my show, which was called ready for this at that stage, my 2008 show. # only a ginger can call another ginger, ginger...# and he enjoyed it. it probably would ve been a bit edgy for matthew. he wouldn t have necessarily agreed with everything i said,
but the songs seem to be very personal. they appear to be usually written in the first person or reflecting aspects of your own life. the next choice you ve made for this programme is being commissioned to write the songs for matilda the musical. so you were approached by the director, matthew warchus, to create these songs for the adaptation of the roald dahl book for the royal shakespeare company. why did he ask you? well, this was 2008, and i had... i was now a bit more established as a comedian in the uk and i was touring, and i thinkjeanie 0 hare, who was the literary manager at the rsc, pointed matthew towards me as a singer—songwriter, basically, who had some dexterity with the english language, arguably. and matthew came and saw my show, which was called ready for this at that stage, my 2008 show. # only a ginger can call another ginger, ginger...# and he enjoyed it. it probably would ve been
stage, my 2008 show. # only a ginger can call another ginger ginger... and he enjoyed it. it probably would have been a bit edgy for matthew — he wouldn t have necessarily agreed with everything i said, but he thought my songs were very clever and angular in a way that he thought matched dahl. he wasn t sure about whether i was right because it was all very sardonic and sarcastic. but sometimes for an encore, i go on and drop all the irony. and that night i went on and played white wine in the sun, which is my christmas song for my daughter. and about your family, about reconnecting? about home, and it makes people sob. # you won t understand # but you will learn some day # that wherever you are and whatever you face # these are the people who make you feel safe # in this world
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from who i am and who i was. the next choice you ve made for this programme is being commissioned to write the songs for matilda the musical. so you were approached by the director, matthew warchus, to create these songs for the adaptation of the roald dahl book for the royal shakespeare company. why did he ask you? well, this was 2008, and i had... i was now a bit more established as a comedian in the uk and i was touring, and i think jeanie 0 hare, who was the literary manager at the rsc, pointed matthew towards me as a singer—songwriter, basically, who had some dexterity with the english language, arguably. and matthew came and saw my show, which was called ready for this at that stage, my 2008 show. # only a ginger can call another ginger, ginger...# and he enjoyed it.