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Christopher Knight Los Angeles Times The 2019 documentary "My Rembrandt," available for streaming, is less a film about the iconic 17th century Dutch painter of the film's title than it is an acute, often fascinating and occasionally puzzling rumination on aspects of the other titular word — "my." One lesson of the film, ably helmed by director Oeke Hoogendijk, is that to love an artist's work is to possess it, whether physically, intellectually, emotionally or any combination thereof — including, perhaps, corruptly. Passion for an artist's work comes in many forms. Hoo...

From kissing a portrait of a woman on the lips, to tricking a co-buyer out of a bargain, acquiring a rare work by the Dutch painter does not always bring out the best in people

The 2019 documentary “My Rembrandt,” available for streaming beginning Wednesday, is less a film about the iconic 17th century Dutch painter of the film’s title than it is an acute, often fascinating and occasionally puzzling rumination on aspects of the other titular word — “my.” One lesson of the film, ably helmed by director Oeke Hoogendijk, is that to love an artist’s work is to possess it, whether physically, intellectually, emotionally or any combination thereof — including, perhaps, corruptly. Passion for an artist’s work comes in many forms. Hoogendijk knows her way ...