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The apollo 13 mission. This hour long interview was part of the oral history project. Oral history [ inaudible ] date is march 12, 1999. You cut your teeth in Mission Control as a Flight Controller responsible for spacecraft guidance and navigation. How did you manage to get in on the ground floor of a program like this . And what was your secret . It was not easy. I had actually tried to go to work for nasa in 1962 and the guy that interviewed me was gene kranz. Kranz and i couldnt get together on money so i said to heck with you and i went off and did something else. I went to General Dynami...

There is an age-old notion of the artist’s practice as a solitary one in which creativity is born over the course of long hours in the studio. Barring a nomadic or collaborative practice, there is truth to this romantic vision—artists do often work alone—yet there is a constant companion inherent in the creative process: the studio itself. The International Studio & Curatorial Program (ISCP) has filled this role for over two-thousand artists and curators from more than ninety countries over the last thirty years.