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When architecture critic Paul Goldberger moved into U.N. Plaza last year, he joined a small crowd of design-obsessed new owners. The home of mid-century power brokers has a new class of modernist-architecture lovers.
There is an age-old notion of the artist’s practice as a solitary one in which creativity is born over the course of long hours in the studio. Barring a nomadic or collaborative practice, there is truth to this romantic vision—artists do often work alone—yet there is a constant companion inherent in the creative process: the studio itself. The International Studio & Curatorial Program (ISCP) has filled this role for over two-thousand artists and curators from more than ninety countries over the last thirty years.
Featuring eleven essays and three transcripts from Rethinking Residencies Symposiums, the book examines residencies as networked entities uniquely positioned to address the evolving needs of artists and communities.
Amid the commercial commotion, fairs like The Armory Show, Independent 20th Century and Photofairs New York are providing free or discounted space for non-profits
Art institutions are moving away from residency programs that support artists in seclusion, and toward those that engage with their communities.