Vimarsana
Biggest News Aggregation in the World

Gunnar Meier News Today : Breaking News, Live Updates & Top Stories | Vimarsana

Stay updated with breaking news from Gunnar Meier. Get real-time updates on events, politics, business, and more. Visit us for reliable news and exclusive interviews.

Top News In Gunnar Meier Today - Breaking & Trending Today

"It's All Fear, No?": Lena Henke, in Conversation With Urs Fischer - Vimarsana News

"It's All Fear, No?": Lena Henke, in Conversation With Urs Fischer

Upon returning home from their joint opening at the Aspen Art Museum, Lena Henke and Urs Fischer discuss the solitary nature of art-making.

'I Am Just The Host': Latifa Echakhch Has Devised Precarious Stage-Scapes For An Artist-Curated Concert Series At Art Basel - Vimarsana News

'I Am Just The Host': Latifa Echakhch Has Devised Precarious Stage-Scapes For An Artist-Curated Concert Series At Art Basel

The Moroccan-Swiss artist Latifa Echakhch (b. 1974) is in high demand lately. The Venice Biennale and Art Basel in Switzerland-arguably Europe's two

Source: menafn.com
'I Am Just the Host': Latifa Echakhch Has Devised Precarious Stage-Scapes for an Artist-Curated Concert Series at Art Basel - Vimarsana News

'I Am Just the Host': Latifa Echakhch Has Devised Precarious Stage-Scapes for an Artist-Curated Concert Series at Art Basel

The Messeplatz will host a number of experimental musicians on bespoke stages by the artist throughout Art Basel 2023.

Source: artnet.com
Uriel Orlow, The Globetrotting Artist Who Whispers To Ghosts - Vimarsana News

Uriel Orlow, The Globetrotting Artist Who Whispers To Ghosts

Swiss artist Uriel Orlow is a true globetrotter. But he likes to think of himself as a traveller rather than a tourist. Fluent in six languages and s

Source: menafn.com
Tim Griffin on the art of Virginia Overton - Artforum International - Vimarsana News

Tim Griffin on the art of Virginia Overton - Artforum International

PROBABLY THE OBSERVATION by Virginia Overton cited most often by writers came on the occasion of her 2013 exhibition at Switzerland’s Kunsthalle Bern. Wishing to tease out the artist’s thoughts on the found objects used for her sculpture, the exhibition’s curator, Fabrice Stroun, asked a relatively straightforward—if historically loaded—question: Is “a piece of wood looked at in a space consecrated for art . . . no longer the same piece of wood found on the side of the road”? It’s a reasonable line of inquiry, particularly given that Overton’s work suggests some nominal under...