Review: 'King and I' seeks cultural understanding
If one views “The King and I” in the light of its on-stage time period — 1862 — there can be emotional connections to the now 73-year-old musical.
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If one views “The King and I” in the light of its on-stage time period — 1862 — there can be emotional connections to the now 73-year-old musical.
This multi disciplinary Black femme storyteller uses theatre to shape the world.
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Richard Rodgers never wrote a symphony, let alone a string quartet or piano sonata, yet his music resides in the subconscious of millions worldwide.
From the Oriental backdrop by set designers Wilson Chin and Riw Rakkulchon, to Anna’s lavish silks by costume designer Izumi Inaba, this is a stunning production.