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University of wisconsin, madison. She has books, from the cold war to the war on terror, which fyi, is available for purchase outside of this room after this talk today. She is also the author of cold decolonization in guinea. Masses, 1939 to 1958. The author of peasants, traders, and wives. And decoding corporate camouflage, u. S. Business support or a parttime. Par tied. Her next book is foreign intervention in africa after the cold war, sovereignty, and responsibility in the war on terror. This book be published by Ohio University press. Todays talk is based on the last book, and is entitle...

War to the war on terror, which fyi is available for purchase outside of this room today. She is also the author of cold war and the colonization in guinea. In 2007, mobilizing the 19461958. Masses. The author of peasants, 19391958. Traders, and wives. And decoding corporate camouflage, published in the committee. In her next book is foreign 1980. Intervention in africa after the cold war, sovereignty, and responsibility in the war on terror. This book will be published right Ohio University press. Todays talk is based on the last book, and is entitled, foreign intervention in africa during th...

It is my pleasure to introduce this afternoons speaker Elizabeth Schmidt who is a professor at the university of loyola maryland. She received her phd from the university of wisconsin madison. From the cold war to the war on terror, which fyi is available for purchase outside of this room today. She is also the author of cold war and the colonization in guinea. In 2007, mobilizing the masses. The author of peasants, traders, and wives. And decoding corporate camouflage, published in the committee. Her next book is foreign intervention in africa after the cold war, sovereignty, and responsibili...

A sculpture depicting Maximilien Balot has been briefly repatriated as per a loan deal between the Virginia Museum of Fine Arts and the Democratic Republic of the Congo.

Carved wooden figure at Venice Biennale aims to spark debate about colonial blindspots in the art world