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Why is the Nature of Animation in Europe So Different from What is Being Created in the U.S.?

The second of three essays written by noted historian, author, and educator Karl Cohen to bring awareness to the present state of indie animated shorts and to stimulate a discussion that might lead to improvements; we continue with a discussion of how and why animation made in the U.S. and Europe evolved in such different directions in the second half of the 20th century.

Netherlands , Jilin , China , Zagreb , Grad , Croatia , Iran , Russia , Museum-of-modern-art , New-york , United-states , Taiwan