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R.W. Fassbinder's <em>Ali: Fear Eats the Soul</em> (1974)&#x2013;A story of enduring affection and protest: "Together we're strong" - Vimarsana News

R.W. Fassbinder's <em>Ali: Fear Eats the Soul</em> (1974)&#x2013;A story of enduring affection and protest: "Together we're strong"

The film is an often tender-hearted and unconventional love story set against the backdrop of racial prejudice and social repression prevailing in a divided postwar Germany.

Source: wsws.org
Martin Scorsese and Michael Balhaus' 80s Films Redefined Their Careers &#x2013; IndieWire - Vimarsana News

Martin Scorsese and Michael Balhaus' 80s Films Redefined Their Careers &#x2013; IndieWire

Martin Scorsese's return to form in the '80s and his collaboration with cinematographer Michael Ballhaus on "After Hours," "Color of Money," and more

Ira Sachs on Fassbinder, Passages, and the State of Queer Cinema - Vimarsana News

Ira Sachs on Fassbinder, Passages, and the State of Queer Cinema

"Shame does not fuel this movie," says the director Ira Sachs of his new film "Passages," starring Ben Whishaw and Frans Rogowski.

"The Nature of Global Capitalism is Such that [Stories About] Gay Sexuality Are More and More Difficult to Finance": Passages Director Ira Sachs in Conversation with Stephen Winter - Vimarsana News

"The Nature of Global Capitalism is Such that [Stories About] Gay Sexuality Are More and More Difficult to Finance": Passages Director Ira Sachs in Conversation with Stephen Winter

Publication with a focus on independent film, offering articles, links, and resources.

Rainer Werner Fassbinder's life in pieces - Artforum International - Vimarsana News

Rainer Werner Fassbinder's life in pieces - Artforum International

Fassbinder Thousands of Mirrors. By Ian Penman. New York: Semiotext(e), 2023. 200 pages.PICTURE THIS: Camera slowly panning across shelves littered with dog-eared paperbacks, soiled scripts, handwritten corrections, framed stills, loose pills. A copy of Ian Penman’s Fassbinder Thousands of Mirrors (a book of personal notes on—to?—the late director) unobtrusively propped up amongst a slightly phantasmagorical recreation of the filmmaker’s last living quarters. Two or three televisions going in every empty room. News headlines and obituaries (“RAINER WERNER FASSBINDER, 37, FILM MAKER, ...