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Animation supervisor Takeshi Honda and GKIDS president Dave Jesteadt discuss the emotional impact of what may be the famed director’s final film, his first in 10 years, a semi-autobiographical fantasy set in World War II that embraces life, death, and creation, in tribute to friendship, releasing in U.S. theaters December 8.
Studio Ghibli's newest movie is a lesson in puzzling weirdness, stemming from virtually every aspect of its making. But despite everything working against The Boy and the Heron, there is a beautiful logic under the surface.
Studio Ghibli legend Hayao Miyazaki's new film The Boy and The Heron is said to be his last – and it feels like a farewell. But is it really the end for him, asks Stephen Kelly.
Hayao Miyazaki’s latest film ‘The Boy and the Heron’ leans on his lived experience, but like all his stories, that’s not really what makes it great.
There’s an elegiac sense of magic to Studio Ghibli’s latest film.