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How Yale let antisemitic, pro-Hamas propaganda fly under the radar

How Yale let antisemitic, pro-Hamas propaganda fly under the radar
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Can Yale Reform Its Humanities Doctoral Programs?

Can Yale Reform Its Humanities Doctoral Programs?
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Predicting COVID-19 outbreaks before they happen


1 February 2021
Pandemics present a unique civic challenge for public health officials. How do you monitor infection levels in large groups of people who are very close together in a repeatable way, using limited labor and reagents? The answer lies beneath our feet. Sewers carry the viral components shed by infected individuals to wastewater treatment plants, where those components settle with solid waste into an unsavory but informative component: sludge.
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Perspective | Features | Yale Alumni Magazine


Jenny Hansell ’86
Jenny Hansell ’86.
Jenny Hansell ’86.
Jenny Hansell ’86
Jenny Hansell ’86
Jenny Hansell ’86
Jenny Hansell ’86
Hansell's daughter Abbey with Posey the cat.
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I arrived at college with a very clear identity: I was an artist. I loved theater and dance, but drawing was always my special gift, my happy place, my refuge in moments of social anxiety. Whipping out a sketchbook in a bar is one way to start up a conversation with a guy if you don’t know how to actually talk to a guy in a bar. (Cocktail napkins work, too.)
After the requisite year of basic drawing classes, I started painting my sophomore year. The professor, Robert Reed ’62MFA, was renowned for being a tough but excellent teacher. It was a long time ago, so I don’t remember many specifics from the class (except how much he seemed to dislike my work), but I do remember two things: in the beginning, we were only allowed to use three colors: one blue, one yellow, and one red. He wanted us to deeply learn how they look together and interact with each other before adding more colors to the palette.

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