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There’s a celebratory quality to the classical music offerings this fall, in no small part out of gratitude that live performances can go on at all. The home team has seldom looked so good, and many of the visitors, too, are easy on the eye and ear.
William Bolcom’s recent work, written for the pianist Igor Levit, is streaming after its premiere earlier this year.
With surprising concerts performed at the highest level, the Ouverture Spirituelle is part of the Salzburg Festival but outshines it.
The exhibition, curated this year by Ruangrupa, has brought together more than 1,500 artists working in collectives from around the world.
Ingrid Fliter's serene and expressive piano sonatas were a joy – less so Laura Bowler's exasperating new air travel-themed commission