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"After Hours" approaches the notion of pure filmmaking; it's a nearly flawless example of -- itself. It lacks, as nearly as I can determine, a lesson or message, and is content to show the hero facing a series of interlocking challenges to his safety and sanity. It is "The Perils of Pauline" told boldly and well.
The first shot after the credits of "Secret Window" is an elaborate one. It begins with a view across a lake to a rustic cabin. Then the camera moves smoothly in to the shore, and across the grounds, and in through a window of the cabin, and it regards various rooms before closing in on a large mirror that reflects a man asleep on a couch.