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With the second of his four nights in London's Koko, the bass virtuoso brought out an unconventional setlist, and dazzled the crowd with techincal proficiency.

The Avalanches celebrated and reframed their legacy on Friday - but one big omission left fans confused. We missed you too. Sign up to our newsletter, and follow us on Instagram and Twitter, so you always know where to find us. The third album by The Avalanches, We Will Always Love You, arrived as a glimmer of light at the end of a long, dark, COVID-infected tunnel. Its boundless optimism was a panacea for the Australian music community still reeling from its annus horribilis and it was a surprise to no one that the pair nabbed the J Award for Album of the Year. I think I can speak for a lot...

Not only did The Avalanches (and newly minted For the new record, out today (December 11), Robbie Chater and Tony Di Blasi decided to break free from the plunderphonics mould and work with guests in studios wherever they could. “The human voice is still the most important instrument to us,” Chater tells NME. Before we get to the big guests, Chater reveals the key players behind the scenes: “Andrew Szekeres (Midnight Juggernauts) was our main collaborator and played synths and keys. He’s a dear friend. Tony and I never thought we would find another soul we could work with...

Credit: Grant Spanier The old adage that ‘good things come to those who wait’ is, in general, curiously untrue when applied to album delays (see: Guns N’ Roses’ often-derided ‘Chinese Democracy’). Yet sampling heavyweights The Avalanches followed their era-defining debut, 2000’s ‘Since I Left You’, with the  genre-shuffling ‘Wildflower’ – which arrived a full 16 years after its predecessor. Yet, incredibly, ‘Wildflower’ lived up to the weight of heavy expectation, further proving that the exalted Melbourne duo’s first record wa...

Matthew Horton , December 10th, 2020 09:52 The Avalanches set controls for the heart of fun on their new album featuring a bevy of special guests, including Sananda Maitreya, Vashti Bunyan, Blood Orange, Rivers Cuomo and Pink Siifu In 1977, NASA launched the Voyager space probes into the cosmos, sending with them the famous Voyager Golden Record, a two-disc phonographic time capsule summing up a culture, a species, a planet’s worth of biodiversity. Those slabs of audio-visual gold are out there somewhere in interstellar space, waiting to entertain aliens starved of a cut of prime Chuck Ber...