Io Capitano: a harrowing yet hopeful migration odyssey
The films of Italy’s Matteo Garrone always bloom at the meeting point of two different realisms: social and magic. They’re alive to the hardships of ordinary life, but also its comedy and strangeness – which means his work has often drawn comparisons to that of his countrymen Francesco Rosi and Federico Fellini. In his first film set outside his homeland, that quality hasn’t dimmed a bit.