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BBC News at Ten

child sexual exploitation may now be more of a priority for the authorities but it would be naive to think that it isn�*t happening any more. but police say such a failure on such a scale could never happen again here. i know in the past 18 months since i�*ve managed this team, that, when we have had reports of victims or potential victims of exploitation, we have moved rapidly to arrest perpetrators. a weary health worker who helped victims had this response. i can't applaud the fact that services are better now because so they should be. many of those responsible for abuse in rochdale were never charged. police say that could change. there�*s still hurt and a huge feeling of injustice for too many people in this pennine town. danny savage, bbc news, rochdale. train drivers will go out on strike again at the end of the month — in a new series of walk—outs over pay. members of the train drivers union

Child-sexual-exploitation , Failure , Police , More , It-isn , Authorities , Priority , Scale , Fact , Reports , Services , Victims

BBC News

but we also need a planning rules change because it takes far too long to do anything in this country. we need the national grid to move at a much faster pace because at the moment it is giving connection dates for the 2030s. that will never work. we need an industrial strategy. of course we need investment and i�*m very pleased to make the case for investment in the future and that is why we will invest £28 billion in total by the second half of the parliament, subject to what the government has already assigned to put in on green prosperity and of course within our fiscal rules. that is straightforward but i do think this idea that it is only the money that counts, it isn�*t reflected in the conversations i am having with those that we want to partner with us. and for every pound the government puts in, we want to trigger £3 of private investment because i think when a government invests they are entitled to get the returns for the british taxpayer. yes or no, will the £28 billion investment definitely be in the labour manifesto?

Country , Anything , Planning , Pace , Grid , Strategy , 2030 , Parliament , Course , Government , Case , Investment

HARDtalk

in the style of lucy prebble"? i have exactly done that, which is slightly shameful... and what comes out? you know, something which is...quite depressing! stuff where you recognise what it�*s drawing from. it isn�*t necessarily of a high quality, but... i don�*t know whether to be insulted by that or enthused by that. it�*s complicated. but i�*m reading them and i�*m thinking, "0k, so you are drawing on material "that�*s available from me," so there is a copyright issue also there that�*s rarely discussed. but also... yeah, but also it may not be sophisticated yet, but it will be...it will be, one day, really sophisticated, and i am worried about that. the only thing... the only thing that doesn�*t concern me is i do think that what studios and streamers don�*t realise is that audiences will respond to that change. there�*s something about art that means that human beings are more affected the more effort they know has gone into something. for example, if i were to show you,

Something , Quality , Lucy-prebble , It-isn , Drawing , Stuff , Style , Reading , It-s-complicated , Material , 0k , Issue

HARDtalk

something wrong or do something wrong, i can understand the human need... and, actually, it�*s often coming from a good place, which is, "i don�*t want to upset people..." and then being slightly angry that they might upset people when they know they�*re a good person. those are all really understandable emotional things that human beings feel. i don�*t know about what is and isn�*t censorious in comedy. what i do know is that the very, very funny things often do take quite difficult subjects and use them. so when a joke is really, really funny, it can deal with really quite challenging, difficult subjects. i can think of... i can think of ten comedians off the top of my head who do that regularly at very high level. i think there is an issue, if it isn�*t nuanced and funny enough and specific enough, it can be seen as a little bit sort of lazy or pejorative. but i think the challenge there is to take subject matter that feels challenging

Something , Things , People , Human-beings , T-censorious-in-comedy , Person , Place , Human-need , Know , Joke , Subjects , Issue

BBC News at Ten

wrong and says it isn�*t fair. one expert told us speed is vital in this case. it expert told us speed is vital in this case-— this case. it is so important to have everything _ this case. it is so important to have everything documented l this case. it is so important to l have everything documented at this case. it is so important to - have everything documented at this early stage because we know things are being sold on ebay. we know things have already been sold on ebay. how do we get those objects back? wejust ebay. how do we get those objects back? we just cannot wait for a police investigation to be completed.— police investigation to be com - leted. ~ police investigation to be comleted. ~ , ~ completed. over the weekend greek tv has repeatedly — completed. over the weekend greek tv has repeatedly linked _ completed. over the weekend greek tv has repeatedly linked the _ completed. over the weekend greek tv has repeatedly linked the story - completed. over the weekend greek tv has repeatedly linked the story to - has repeatedly linked the story to the parthenon sculptures or elgin marbles. if the museum cannot look after other items in the collection, says the greeks, it underlies their demand for the return of the sculptures. it demand for the return of the sculptures-— sculptures. it is blatant opportunism. - sculptures. it is blatant opportunism. this - sculptures. it is blatant opportunism. this is i sculptures. it is blatant opportunism. this is a | sculptures. it is blatant i opportunism. this is a serious matter. important treasures have gone missing from storage in the british museum. but it isn�*t the highest of the mona lisa. the greeks are ramping it up to be that. —— the

Case , Stage , Us , Everything , Speed , Things , Expert , Ebay , It-expert , One , Police-investigation , Objects

HARDtalk

very funny things often do take quite difficult subjects and use them. so when a joke is really, really funny, it can deal with really quite challenging, difficult subjects. i can think of... i can think of ten comedians off the top of my head who do that regularly at very high level. i think there is an issue, if it isn�*t nuanced and funny enough and specific enough, it can be seen as a little bit sort of lazy or pejorative. but i think the challenge there is to take subject matter that feels challenging and be extremely funny. right. that conquers all in the end? in comedy, it does. one last challenge for you, and this is relevant to what�*s happening in the united states with the screenwriters�* strike. yeah. partly, it�*s about money and the dynamic of power in their industry, but it�*s also about their fears of artificial intelligence and the degree to which the big studios and others may already be working on projects

Things , Comedians , Joke , Subjects , Head , Top , Ten , Challenge , Issue , Level , It-isn , Subject-matter

HARDtalk

to get a! to do the work of writers and actors. you�*re a writer. how worried are you? yeah, i�*m pretty worried. i�*ll be honest with you, i�*ve certainly... i�*ve played around with the very basic ai things that are available, the chatgpts, and i think... and, of course, what�*s actually happening right now is far more sophisticated than that. i do think it is worrying. it is a cost—saving exercise. and i do believe they are already doing things like cutting trailers quietly with al... have you tried... have you tried, "write something in the style of lucy prebble"? i have exactly done that, which is slightly shameful... and what comes out? you know, something which is...quite depressing! stuff where you recognise what it�*s drawing from. it isn�*t necessarily of a high quality, but... i don�*t know whether to be insulted by that or enthused by that. it�*s complicated. but i�*m reading them and i�*m thinking, "0k, so you are drawing on material "that�*s available from me,"

Things , Actors , Writers , Writer , Work , Ai , Chatgpts , Course , Exercise , Something , Lucy-prebble , Trailers

HARDtalk

that they might upset people when they know they�*re a good person. those are all really understandable emotional things that human beings feel. i don�*t know about what is and isn�*t censorious in comedy. what i do know is that the very, very funny things often do take quite difficult subjects and use them. so when a joke is really, really funny, it can deal with really quite challenging, difficult subjects. i can think of... i can think of ten comedians off the top of my head who do that regularly at very high level. i think there is an issue, if it isn�*t nuanced and funny enough and specific enough, it can be seen as a little bit sort of lazy or pejorative. but i think the challenge there is to take subject matter that feels challenging and be extremely funny. right. that conquers all in the end? in comedy, it does.

Things , People , Human-beings , Know , T-censorious-in-comedy , Person , Joke , Subjects , Issue , Level , It-isn , Enough

HARDtalk

which is...quite depressing! stuff where you recognise what it�*s drawing from. it isn�*t necessarily of a high quality, but... i don�*t know whether to be insulted by that or enthused by that. it�*s complicated. but i�*m reading them and i�*m thinking, "0k, "so you are drawing on material that�*s available from me," so there is a copyright issue also there that�*s rarely discussed. but also... yeah, but also it may not be sophisticated yet, but it will be...it will be, one day, really sophisticated, and i am worried about that. the only thing... the only thing that doesn�*t concern me is i do think that what studios and streamers don�*t realise is that audiences will respond to that change. there�*s something about art that means that human beings are more affected the more effort they know has gone into something. for example, if i were to show you, like, a statue of rodin�*s the kiss, knowing how it was sculpted, over what time and who did it, you�*d be more moved by that than if it was just cut out with a laser by a computer, even if it�*s exactly the same sculpture. and that�*s true of humans generally.

Quality , It-isn , Drawing , Stuff , It-s-complicated , Reading , Issue , Material , Copyright , Be-it , One , 0k

HARDtalk

and then being slightly angry that they might upset people when they know they�*re a good person. those are all really understandable emotional things that human beings feel. i don�*t know about what is and isn�*t censorious in comedy. what i do know is that the very, very funny things often do take quite difficult subjects and use them. so when a joke is really, really funny, it can deal with really quite challenging, difficult subjects. i can think of... i can think of ten comedians off the top of my head who do that regularly at very high level. i think there is an issue, if it isn�*t nuanced and funny enough and specific enough, it can be seen as a little bit sort of lazy or pejorative. but i think the challenge there is to take subject matter that feels challenging and be extremely funny. right. that conquers all in the end? in comedy, it does. one last challenge for you, and this is relevant to what�*s

Things , People , Human-beings , Know , T-censorious-in-comedy , Person , Comedians , Joke , Subjects , Head , Top , Ten