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Ridley Scott’s new film confronts viewers with an unfamiliar paradox: it is both wildly unreliable and resolutely demystifying, simultaneously implausible and deliberately underwhelming. The costumes are exquisite, the sets magnificent, the cavalry charges thunderous. The execution of Marie-Antoinette (Catherine Walker) is spectacular. It is also set in the wrong place, at the wrong time, and with Napoleon in the audience, which he wasn’t.

The story of Alphonse Steinès night on the Tourmalet and the telegram he subsequently sent to Henri Desgrange has gone down in legend. Remarkably, there was no telegram, and much of what is said about Steinès’s night on the mountain is a fiction.

The Best Picture category at the 2022 Oscars has very good candidates this year, but other great productions were also left out. Which of these should have been nominated for Academy Awards?

Her work on 'House of Gucci' was interrupted when Ridley Scott took on 'The Last Duel.' Janty Yates didn't mind one bit.

The Last Duel bombed at the box office. Ridley Scott’s Medieval legal thriller based on a well-documented true story was lavish, expensive, and had