Page 7 - James Perrett News Today : Breaking News, Live Updates & Top Stories | Vimarsana

Arpangel wrote:Review, Pilot now set-up, it’s completely transparent, it works, review over. Think of how many ads we could get in the mag if all my reviews were that short... :bouncy: :think: NO!!!! Many are too short as it is. I cannot think of it now but there was a review of something quite high end and complex last year that was dismissed in less than a page. Might I have the temerity to suggest "quantity" often triumphs over "quality"? Or, if not "quality" certainly 'depth'? And, compared to many 'skinnies' I buy occasionally, SOS magazine is STUPIDLY cheap! Another quid is surely ...

Monitoring a live band - Brit speaker advice please :) sc1460 » Tue Apr 06, 2021 4:49 pm Hi, an appeal for advice please - my control room will be around 5m x 4m and 3m high and acoustically treated by Gik Acoustic. For tracking live rock/folk/indie bands what monitors would you recommend? My budget could go as high as the Graham Audio LS5/8 which at £7400 has a 12” woofer in a massive 108 litre cabinet. But do I need this size? Am I better off for tracking purposes to consider: - ATC SM25A Any thoughts appreciated! James Perrett » Tue Apr 06, 2021 5:06 pm Have you considered using two...

sc1460 » Tue Apr 06, 2021 9:56 pm Thanks James, definitely worth exploring, as I’m recording flat into my DAW ( main adjustments are the microphone type and position) it sounds like using a speaker that’s more PA suited to listen to the band with a full live sound, is that what you’re suggesting? Sadly the Tannoy website only shows their budget studio range, do they make the large studio monitors anymore? I’ve found Tannoy Berkeley on eBay for £1900 so would save a ton of money! I’ll check out dB technologies. Anyone else using large speakers for monitoring live bands in the ...

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All contents copyright © SOS Publications Group and/or its licensors, 1985-2021. All rights reserved. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers. Web ...