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The twenty-five works on view in Diana Al-Hadid’s debut solo show at Kasmin present an artist at the height of her powers, practiced in aligning the behavior of her materials—primarily gypsum, bronze, steel, and linen pulp paint—with the conceptual contours of her message.
Radiography and reflectography can penetrate works of art layer by layer, telling us how an artist worked, and uncovering old paintings hidden beneath newer ones
London's National Gallery is taking an exhibition of 52 masterpieces by European artists to the Hong Kong Palace Museum.
On “Saints, Sinners, Lovers, and Fools: 300 Years of Flemish Masterworks” at the Dallas Museum of Art.
Although these portraits were something like dating profiles for aristocrats to woo across countries, staring back across the centuries they have an enigmatic privacy