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THIS YEAR’S DENSELY PACKED New York Film Festival, its sixtieth anniversary edition, just added a special event in honor of the late Jean-Luc Godard. The US landing point for most of the feature films the director made between 1963 and 2018 and the site of an extensive retrospective of his work in 2013, the festival will screen, during its first week, Godard’s final film, The Image Book, on a continuous loop in the amphitheater of the Elinor Bunin Center. Admission is free, but the quality of projection, and particularly the audio—which is crucial to the film—is, as I write, yet unknow...

A trio of films share provocative approaches to the cinematic representation of facts.

After several semesters of scaled back operations, Cornell Cinema has returned to its pre-COVID capacity, with successful screenings occurring through Labor Day weekend.

Following Main Slate, Spotlight, and Currents, the 60th New York Film Festival have now unveiled its final film-focused section with Revivals. Featuring brand

With its sex talk and mocking of Sartre, La Maman et Ia putain is a prescient post-'68 slacker epic, argued this 1997 feature.