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24 Hours of Radio Art 2024 Programming Schedule

CiTR 101.9FM kicks off the 2024 iteration of its 24 Hours of Radio Art programming at 12am on Wednesday, January 17th!Content has been curated and submissions coordinated by CiTR’s 24 Hours of Radio Art Team. Tune in for new submissions from both current (Chronfused | gak | Nariella) and former CiTR programmers (Dune | Nagarekeri | Sound Is Energy), plus contributions from Peter Courtemanche and Bill Mullan - two of the driving forces behind this annual experimental music, sound research, and noise tradition.The complete list of CiTR 101.9FM’s 24 Hours of Radio Art 2024 podcasts will be available shortly.Contact / Feedback / 2025 Submission Requirements: radioart@citr.caNow, on with the show!=============Wednesday, 17 January 202400h00 – 03h00Absolute Value of Noise / Anna Friz "Water Line / Estuary Almanac (January)"A 365 day generative radio piece that follows the rhythms of tidal waters at the river’s edge. by Absolute Value of Noise and Anna Friz © 2023 Commissioned for the annual project KONTINUUM by Deutschlandfunk Kultur (Berlin) and Ö1 Kunstradio (Vienna), April 2023 - March 2024.At the mouth of a river, salt meets sweet water. Tides fluctuate. The river floods and dries with the seasons. The muddy delta shifts position over centuries. At the tideline, life persists. It exists both in and out of the water. A sand spit rises once a day and disappears again. It's a home for clams, oysters, other molluscs, anemones, sand dollars, shore birds and seals. A rock shelf full of tidal pools is filled with tiny fish, crabs, urchins, starfish, bivalves, and seaweed. Fish swim down the river to the sea and return to spawn. Plants and trees are engulfed or left high and dry. As a consequence of (over)use by modern cities and societies, extractive industries dominate a major river and its ecologies, then atrophy and decay, replaced by new modes of global commerce, tourism, and shipping. As ice packs diminish, the seas warm,. Water levels rise and rain patterns change. The spaces between high and low water become more and more exaggerated. The dynamics of change seesaw across the year, creating dangerous patterns in this time of climate crisis.Water Line is a generative audio piece that imagines the space between the tides and between the salt and the muddy waters. Depending on the height of the tide, listeners are oriented below or above the surface, from deep sea to thousands of meters in the air. Combining field recordings (acoustic and electro-magnetic) with poetic composition, Water Line works with both documentary and imaginary riverspace, the creatures and organisms that live there, the human and the more-than-human. The dynamics range from the roar of engines and turbines to the very subtle sounds of clams, the scuttle and high pitched hisses of crabs, or the scattering of sand fleas. Environmental sounds meet electronic compositions to express the many perceptions of being above or below water. From the undersea kelp forests and high tide zones across the mud flats and swampy areas; from the industrialized river to nearby rocky coves; the artists incorporate field recordings mixed with imaginings and playful interpretations of the river to craft a composition that oscillates across the day, the month and the year.The piece is centered on the muddy, shifting delta of the river that is called stal̕əw̓ by Indigenous hən̓q̓əmin̓əm̓-speaking Musqueam people, or stó:lō by Indigenous halq’eméylem speakers, Coast Salish peoples who still inhabit the river valley of what is also known as the Fraser, which winds through the greater metropolitan area of the city of Vancouver. The Fraser's colonial legacy is one connected to extractivist enterprises such as fur trade, logging and pulp mills, mining, fishing and farming; eventually the suburbs of Vancouver encroached across the river delta displacing farms with houses, parking lots, and an international airport. But the river is still its own, a place that the salmon have defined ecologically in many ways, and currently stó:lō still has the largest salmon run of any river in Canada.Water Line is not only a generative audio piece unfolding for 365 days with the help of generative software custom-created by Absolute Value of Noise, it is also a piece that accumulates sounds across the year, as the artists continue to record and compose, and as the electronic elements in the piece oscillate between foreground and background. The piece stages fictional confluences of stó:lō with distant rivers, as though a river could receive a transmission or dream of the life of other rivers like the Elbe and the Danube, similarly long waterways with silty deltas spilling out into the sea, such that the compositional accumulation includes the clangor of the port of Hamburg, the boats and canals of the Danube, and the distant delta where the Elbe empties into the North Sea.By the end of the year, the piece will become Estuary Almanac, a compilation of rivertimes, documented and imagined, with our ears attuned to the waterline. Though the river banks are built more and more concretely, though the waters hold ghosts of the past that the summer drought brings into view, these are vital rivers whose life spans have and will surely outlast empire.=============Wednesday, 17 January 202403h00 – 06h00Curated By: CiTR 101.9FM 24 Hours Of Radio Art TeamFeaturing: Sonologyst | Nagarekeri | Cadlag | Merzbow 'Live At London's Cafe OTO'.=============Wednesday, 17 January 202406h00 – 06h30Chronfused "Recordings From The Department of Musical Transmogrification Hotline"=============Wednesday, 17 January 202406h30 – 07h00Instant Places "Materia Generativa: Live telematics Instant Places <=> Danza Interactive Digitale Milan"Instrumentation:Laura Kavanaugh: modular synthesis, analog electronics, iPad piano, voiceIan Birse: altered acoustic guitar, modular synthesis, live processingThe piece is the audio portion of a hybrid physical/virtual performance between Instant Places (Vieux Hull, Québec) and Company Blu Dance (Milan, Italy): spontaneously-composed choreography, analog/digital sound, handheld camera, generative visual interventions.=============Wednesday, 17 January 202407h00 – 08h00Randophonic "A Mostly Empty Mall"Randophonic normally airs on CiTR every Saturday night into Sunday morning (11pm - 2am).=============Wednesday, 17 January 202408h00 – 10h00Curated By: CiTR 101.9FM 24 Hours Of Radio Art TeamFeaturing: Samuel Robinson | Elisabetta Senesi w/ Ilaria Palloni | Gintas K | Ubu Kung | Nariella | Dani Gal 'Live From The Centre Pompidou - Paris' | Jesse Budel and Nadene Thériault-Copeland's "Art's Birthday Weathered Piano Exchange".Since mid-December 2023 improvisors Jesse Budel and Nadene Thériault-Copeland have been exchanging birthday presents for Art in the form of audio recordings of weathered pianos. The improvisations explore the full range of sonorities of the piano - Nadene Thériault-Copeland on the Decomposing Piano installation at the NAISA North Media Arts Centre in South River, Ontario, Canada, and Jesse Budel at the Murray Bridge Piano Sanctuary in South Australia. This collaborative artwork brings together shared interests in Weathered Pianos as well as a musical discourse created from recordings made on location during the Canadian winter and the Australian summer.Jesse Budel is a composer-performer, sound artist, producer and arts entrepreneur based in South Australia. His works are for diverse media and spaces, ranging from concert works and installations to community and interdisciplinary collaborations. Jesse Budel is the founder and curator of the Murray Bridge Piano Sanctuary, and currently serves as the Secretary for the World Forum for Acoustic Ecology.Nadene Thériault-Copeland received her Honours B.A. in Music from York University in 1991 where she studied composition with James Tenney and performance with Christina Petrowska-Quilico. Her interest in improv and alternative tunings led her to cre

South-river , Ontario , Canada , France , Pompidou , Languedoc-roussillon , London , City-of , United-kingdom , Midi , France-general- , Australia

Mandala Debuts 360° Studio Sounds of South Australia

Mandala Debuts 360° Studio Sounds of South Australia
miragenews.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from miragenews.com Daily Mail and Mail on Sunday newspapers.

Adelaide , South-australia , Australia , Flinders-university , Australian , Jesse-budel , Coreaudio-octomic , Flinders-university-assemblage-creative-centre , Flinders-creative-festival , Assemblage-creative-centre , South-australian

Considering Matthew Shepard (Soundstream New Music)

A fine and very moving performance of Craig Hella Johnson’s oratorio concerning a murder that changed the world.

Australia , Wyoming , United-states , Sydney , New-south-wales , University-of-adelaide , South-australia , Adelaide , Australian , Hella-johnson , James-byrd-jr , Craig-hella-johnson

US tragedy to resonate with Adelaide audiences

A tragic gay hate crime that led to the death of a young man in Wyoming in the 90s has parallels to the murder of George Duncan.

United-states , Adelaide , South-australia , Australia , University-of-adelaide , Sydney , New-south-wales , Australian , Jennifer-trijo , James-byrd-jr , Jesse-budel , Mark-oates

Considering Matthew Shepard

Considering Matthew Shepard, by Craig Hella Johnson, is a 21st-century, Grammy-nominated oratorio that reflects on the murder of 21 year old gay man Matthew Shepard

Wyoming , United-states , Adelaide , South-australia , Australia , Matthew-shepard , Craig-hella-johnson , Jesse-budel , Considering-matthew-shepard , Soundstream-new-music ,

January 19, 2021 | Tech Today | Michigan Tech


by Wayne Gersie, Vice President for Diversity and Inclusion
Every year on the third Monday of January, we celebrate the life, work, and sacrifice of Dr. Martin Luther King, Jr. It is widely known that Dr. King fought for a day when America would be a country of equals—when we would be judged by our merits, no matter the color of our skin, the religion we profess, or the place we were born.
The power of Dr. King’s words and the beauty of his dream are often the focus on this day. The phrase “I have a dream” is recognized by millions of Americans. Because Dr. King was one of the great orators of the 20th century, there is a tendency to focus on his inspirational quotes and powerful messages. But if we are truly to honor his legacy, particularly in these tumultuous times, we must go further. We are called to act. We must live the teachings of Martin Luther King, Jr.

Fairbanks , Alaska , United-states , Nancy-hausle-johnson , Corinna-hogan , Jesse-budel , Terri-frew , Libby-meyer , Brent-lawrence , Christina-rusnak , Christian-dubeau , Susan-campbell

Denali: Artists Respond to Music Inspired by Wilderness opens in the Rozsa Gallery and virtually | News, Sports, Jobs


Michigan Technological University
HOUGHTON – The Department of Visual and Performing Arts and the Rozsa Center are pleased to announce Denali: Artists Respond to Music Inspired by Wilderness, an exciting collaboration culminating in both a Rozsa Gallery A-Space exhibit “Denali: Artists Respond to Music Inspired by Wilderness,” and a virtual event, “Denali: Music and Art Inspired by Wilderness,” featuring composers and artists, their music, and the art inspired by it.
Denali: Artists Respond to Music Inspired by Wilderness exists in the confluence of two languages–music and visual art. It features 18 works of art made in response to original chamber music inspired by composers’ experiences in Denali National Park, in central Alaska. The in-person gallery experience opens in the Rozsa Gallery A-Space on Friday, Jan. 22, and both the live and virtual events will be available through Saturday, April 17. Gallery hours are: Monday through Friday, 8 a.m. to 8 p.m. and 1 to 8 p.m. on Saturdays. The Denali virtual event can be streamed anytime Friday, Jan. 22 to Saturday, April 17, by visiting the Rozsa website at mtu.edu/rozsa. QR codes, posted with each work of art throughout the gallery exhibit, provide links to the related pieces of music by scanning with a QR code reader on a smartphone. Musical scores, program notes, artist statements, and biographies of all project participants will be available both inside the gallery exhibit and digitally as part of the virtual experience.

Fairbanks , Alaska , United-states , Nancy-hausle-johnson , Jesse-budel , Corinna-hogan , Terri-frew , Libby-meyer , Brent-lawrence , Christina-rusnak , Christian-dubeau , Susan-campbell