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It’s amazing how much emotion John Musto and Mark Campbell have been able to cram in the mere 75 minutes of LATER THE SAME EVENING, a one act opera, which has been on view this past week at Juilliard Opera at the Peter Jay Sharp Theatre, on West 65 Street, down the block from Lincoln Center’s Alice Tully Hall.
Collage Dance – recently named one of the 50 largest ballet companies in the nation by Dance Data Project, is pleased to announce the appointment of Anne-Carolyn Bird as its new Development Director.
During his first Convocation as the Henry and Lucy Moses Dean of the Yale School of Music, José García-León told each member of the incoming class, “You are a member of one of the most prestigious music programs in the world, of a school with an incredible history of training musicians at the highest level. I encourage you to pause and reflect on all you have accomplished already, all that has brought you to this moment.”
There's nothing like sheer virtuosity in instantly relatable music to liven up the proceedings. In the weekend's Benedict Music Tent highlights, saxophonist Steven Banks brought a high-voltage jolt to Friday's Chamber Symphony with a new, crowd-pleasing concerto written for him. Then on Sunday, violinist Gil Shaham and the Festival Orchestra reveled in Eric Korngold's ear-soothing, frankly Romantic concerto, which Jascha Heifetz debuted in 1947.
The Chameleon Arts Ensemble concluded its anniversary season with a freshly conceived and delivered program at First Church.